Showing posts with label Dizzy K. Show all posts
Showing posts with label Dizzy K. Show all posts

Thursday, March 05, 2009

Some funk off of Youtube

Yes, it's a placeholder... I haven't really had time to make any new entries, so for now just enjoy these 1980s Naija funk cuts pulled from the the always excellent DivaRadioFUNK channel on the 'Tube:





(Look out for a Dizzy K feature coming soon, by the way.)

Wednesday, May 14, 2008

Saturday, March 08, 2008

Omoge

Omoge in Yoruba translates roughly as "fine girl." It's a very urban word, resonating with style, swagger and even a bit of danger.

Mike Okri - "Omoge" (1989)


Dizzy K. - "Omoge" (1983)

I always kinda thought Mike Okri's song was a bit derivative of Dizzy K's, though Dizzy's was a side 2 album track and Mike's was a hit single that went on to become a modern classic. In fact, rising MC Sauce Kid made his name (and resurrected Okri) with a 2006 tribute to the record:



Just kinda wanted to say that because it's been on my mind for the past week. Otherwise, there's not much of a point to this post. Sorry.


(Thanks to Naija Jams for hooking me up with the high quality rip of the Mike Okri LP, by the way... I always only ever had really shitty mp3s of 2 or 3 songs.)

(Edit 3/9/08: That Dizzy K. mp3 I posted last night was a rather rough rip... I've cleaned it up now.)

Monday, February 25, 2008

Some African electro from Dizzy K.

Earlier today in the comments for the last post, Birdseed enquired about Nigerian synth and electro music and I pledged to get some up soon. I was in the process of uploading some William Onyeabor (who I used to call "the Nigerian Thomas Dolby") when I accidentally deleted the file, but then I remembered that I really have never posted any Dizzy K music on this blog... which is crazy, because that negro was rocking my world in the 1980s.

Dizzy K. cut six albums between 1982 and 1989, almost always working with producer Tony Okoroji. Dizzy and Okoroji's earliest collaborations were standard, full-band, heavy boogie cuts, often leaning heavily on Michael Jackson's Off the Wall, but they soon switched tack to a more modern, stripped-down, synth-infused electrofunk sound. However, Okoroji had a relatively original (or perhaps conservative) approach to programmed music, often balancing out the thundering syndrums with organic percussion for a distinctly African electro sound.

This track from 1984's Sweet Music is a fine exemplar of the aesthetic of which I speak.

Dizzy K. - "Yes I Love You"


Great song for getting your electric boogaloo on, yeah?